Lightwaves – Salford Quays – Humans Being Digital

On Friday – December 15th, four of us went to Salford Quays, to attend Lightwaves, on Salford Quays, hosted by Quays Culture.

We were able to meet with the Creative Director, Lucy Dusgate, and talk to her about this years show. (Image by Keith Balcombe)

We discussed the latest commission “I forgot to say”……

International novelist, University of Salford Chancellor and Scotland’s national poet, Jackie Kay has produced a brand new, large-scale commission neon word sign, which spans 15 metres in length across the Plaza outside The Lowry.  Jackie Kay was invited to choose a sentence that for her sums up this year.  The neon (LED) word art spells out ‘I Forgot To Say,’ with the latter, ‘To Say’, illuminating and increasing in intensity and colour when audiences leave their messages..…..  In response to the messages left, Jackie Kay will produce a brand new poem in early 2018.

You can find information about this poem by clicking HERE

Planning for these events, starts at least 18 months in advance, and the build can take up to six months.  The exhibits have to be weather proof, and be able to withstand winds up to 45mph, as it can be pretty windy on the Quays.

Lucy, who works part time for Quays Culture, has a lot of support from both full, and part time staff – one of whom deals just with all the administration.

We asked Lucy about the selection of artists to display their work on the Quays.  She explained that she keeps an eye on the artistic processes, and when she sees work that she thinks will fit, she will approach the artist directly.  She is also aware of upcoming emerging UK talent, and will encourage those to apply to have their work displayed.

This year, the Danish artist Tom Dekyzere is displaying some of his work.  You can find more information about Tom by clicking HERE

His installation on the Quays, a dynamic waterside sculpture will translate soundwaves from beneath the River Irwell into lightwaves.

Tom Dekyvere explores the deeper layers of reality and mind. Just as the alchemists of former times probing for unexpected connections, in search of the boundaries between nature and technology, between man and robot, between dead and living matter.

With over 400,000 people attending the Quays last winter – Lucy hopes that this will be exceeded this year.

The other section of the display is entitled “Humans Being Digital”, an exhibition which ends in February 2018.  Thom Kubli brings his piece Black Hole Horizon – which illustrates sound in the form of bubbles.


This is what Thom’s website has to say about the installation

“What kind of relations exists between oscillating air, black holes and soap bubbles? What effect does the sound of horns have on the human psyche and why is it present in various creation myths? What impact does gravity have on our collective consciousness? Where do spectacle and contemplation meet?

The installation Black Hole Horizon is a cosmological experimental setup, a meditation about a spectacular machine that transforms sound into three-dimensional objects and that keeps the space in steady transformation.

The nucleus of Black Hole Horizon is the development of an instrument that is operated by compressed air and that resembles a ship’s horn. With the sounding of each tone, a huge soap bubble emerges from the horn. It grows while the tone sounds, peels off the horn, lingers through the exhibition space and finally bursts at an erratic position within the room.”

Heart, Brain and Lungs by Pascal Haudressy are screen-based pieces that encourage you to think about your own bodies…


Finally, Nye Thompson uses CCTV footage to create a curious environment that asks questions about technology and privacy, contributing a sense of anxiety to an exhibition of many emotions.

humansbeingdigital artists: U_Joo and Limhee Young; Max Dovey; Thom Kubli; Nye Thompson; Thomson and Craighead; Mary Maggic; Mango Chijo Tree and The Jayder; Pascal Haudressy; Libby Heaney and Felix Luque Sanchez.

If you get a chance to visit, entry is free.

Lightwaves ends on December 17th, and Humans Being Digital Ends February 2018.

 

The Photography Experiment

It was a new year resolution this year that I would try to push the boundaries of my photography.  I decided that experimentation both in camera, and in Photoshop would be my goal; not necessarily to achieve competition worthy images, but to push my knowledge, and see just what can be done – especially in camera.

In the first instance I looked on u-Tube, and sought out photographers who were doing ‘different’ things with their equipment, and two particularly caught my eye.

A photographer called David Johnson – (Maxblack Photos) and another Dr Reinhold Adscheid of Germany and  I was intrigued by their work, and set out to have a go.

IMG_5932Firstly I stated looking a multiple exposures.  I know that you can do this in newer cameras now – but mine does not have that facility – and so I had to look for ways of achieving the same effect in Photoshop.

So far, I have learned how to use some of the blending modes in CS6 – and found that using the ‘soft light’ or hard light blends give the best effects.  The multiple images are brought into Photoshop in Layers, and blended.  You may need to tweak the ‘levels’ on each layer, as the more layers there are, the darker overall the image gets.  Playing around with the different blend modes can yeield some unexpected, and clever results.  The shot above of one tram on Piccadilly Gardens in Manchester was taken on my compact camera – a Canon G12, and blended in CS6, then taken into on-one perfect photo suite.

IMG_6065This second tram shot – taken near the Bridgewater Hall, on a bright sunny day was blended in CS6 using the hard light blend mode.

I’m also looking to experiment with camera movement, and zooming whilst taking a long exposure shot, and to do more image blending.

That’s for another post.

Water Fools – Salford Quays – Manchester

The French outdoor theatre company ILOTOPE put on a spectacular event this weekend at Salford Quays.  I was down there to shoot the dress rehearsal which, although brilliantly done, did not have the fireworks going.

Water Fools, Salford Quays-11It did feature though, a floating car, with a caravan, a huge floating bed, and lots of other magic.  At 9.30 prompt a car arrived, dropping a man off on a platform in the middle of the water.

Water Fools, Salford Quays-14The story is rooted in the fanatical, as a surreal world explodes out of a man’s head, transporting him from the rigmarole of his everyday existence to a landscape populated with mythical creatures and inexplicable magic, while all spectacularly taking place on the water’s surface. Caravans, prams and penny-farthings will feature, defying all logic, bringing an impossibly innovative piece of entertainment to Salford Quays.

Water Fools, Salford Quays-48Choreographed by French artist Bruno Schnebelin the routine had chain breath-taking visuals, punctuated by pyrotechnics, with engrossing theatre while fellow countryman Phil Spectrum composed an original score to make the show spectacular in all aspects.

Water Fools, Salford Quays-40The rest of the images from this shoot can be seen HERE

Shooting at the Speed of Light

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Speed of Light Salford: 21-23 March

NVA’s Speed of Light brought The Quays, Greater Manchester’s waterfront to life from Thu 21 – Sat 23 March 2013 from 8-9pm each night.

A centrepiece of the Edinburgh International Festival and recently staged in the docklands of Yokohama in Japan , the night-time work used light, intentional movement and sound to change the way we see and feel about a chosen environment.

Hundreds of runners in specially commissioned LED light suits created beautiful, choreographed patterns of light flowing through streets, over bridges and around public spaces and buildings. Free and non-ticketed for the the watching audience, it was seen as a piece of abstract art on the quays.

I was able to photograph the dress rehearsal for this fantastic event from above the crowds – some of the patterns made by the runners were seen at their best from this vantage point.

Many thanks to the organisers NVA and to Peel Holdings for allowing the photography to take place.

To see the full set of images CLICK HERE