Keep the Faith ! It’s not all bad news…

I was just starting to settle down into a lock-in routine – had just sorted out where my groceries were coming from, and begun an exercise routine, when I fell off my bike.  

I’d been to the shops, got some food in, and in an attempt to avoid some pedestrians, I hit a low curb going onto a cycle track, and as the bike went over, I got my ankle trapped under the pedal.  I was 5 miles from home, and no-one could help me. Lots of people ended up standing around me (6 feet away) asking if I was OK….  I wasn’t – (or didn’t think I was) but I said I was fine, and would sit ‘here’ for a bit and then just cycle home.

I did cycle home – I’ve no idea how – convinced I’d broken / fractured something.  Was too scared to go to A+E (thought they would have better things to do than mess with me) – but anyway, after 72 hours or so, the swelling was going down, I was getting around on crutches (for that read trekking poles) – and after a week, the bruising was making my entire foot look black……

So, three weeks on, and I’m back on my bike, and can walk about a mile – slowly… it’s been a bit of a trial.

What’s this got to do with photography?  Well, confined as I was completely to barracks, I had to find something arty to do….. 

All the jobs I’d been putting off had to be done – reorganise my Lightroom Catalogue, sort out all the rubbish from my computer, and take a second look at images I’d previously consigned to the ‘I’m really not sure what to do with this one’ filing system.

I also broke open the moth trap – it needed a good clean, but we had a few days of still, warm nights with a few insects to catch.  

The image below is of an ‘Early Thorn’ moth – no bigger than my little finger nail, but beautiful.  It flew off about 10 seconds after I’d taken this photograph.

Early Thorn

I’d also promised myself at the start of the lockdown that I’d work my way through some photoshop tutorials…. Didn’t do it.  However, with time to spare, and no way out, I sat down and watched some stuff on Scott Kelby, some on YouTube, and read some books.  Streaming tutorials through to the television set was a boon, and after nearly 3 weeks, I think I’ve learned some new tricks, which I’m pretty eager to try out.

The RPS East Midlands Group is running some excellent Zoom talks, so I’m booked in for those too.  

So what have I learned, apart from how to bandage an ankle?  Well, I’ve started taking notice of 3D rendering, which I think is going to be useful – and I’ve been looking back at images I took in 2011 at Chester Zoo.  Compositing images together has turned out to be something I really enjoy doing, and I’m getting better at it.  Using textures in images too is working for me, and I’m looking forward to being able to enter competitions again once this ‘virus’ starts to abate… Hopefully I’ll have a selection of new work I can use.

This image is made up of five separate photographs.  The elephants themselves, at the zoo, the crane, separately at the zoo, the rock – Brimham, the background ‘mountain’ is in Buxton, and the water from a different elephant picture.  There is of course as an extra, the textured background.

Drinking Ele V2

I’ve read a good selection of books – some photographic, some not – and realised more the benefits of Amazon Prime.  They have some pretty good free books for my Kindle, including the odd photography one.

I’ve done a bit of online judging, and have been booked to do some ‘Zoom’ judging, and a couple of talks over the next few weeks.  

So, as the ankle gets better, and a more ‘normal’ life resumes (will it ever be fully normal again?) – I’m looking forward to some more photography.  The redundant church down the road has been crying out for some photo attention for a long time – I need to get that done – and also take a second look at the things I see when I’m out on a dog walk.  The moth trap will get used some more once the winds drop later in the week, and I’m thinking a bit of light painting, once I can walk a bit further.    

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I’ve had the ‘trail cam’ out in the garden too, and done some badger spotting – deer also come into the garden, as well as the odd fox.

Don’t be bored, don’t think you can’t use your camera because you can’t get out – there’s lots to see and shoot out there even if you only have a tiny garden.

Try and enjoy your isolation time – it will be something to look back on in years to come.

In the meantime, stay safe, stay at home, protect our NHS.

Twelve days into the new year, and I’m in trouble already….

Do you find that sometimes people take photography far too seriously?  I’m not talking about professionals, who just have to be more serious than us – but about people who don’t seem to ‘get’ the idea that you can relax and play with your cameras and images.

For example…. I took this image just before Christmas

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A friend and myself went to the local woods to shoot some macro – and he had with him a portable smoke machine – well, we had a rare old time, messing about, crawling in the undergrowth – letting the smoke off, and watching the way the breeze seemed to change direction between every shot we took.

We must have taken a lot of images – and were caught by the woodland warden / conservationist, who thought it was funny to see two aged photographers grovelling about in the undergrowth.  He asked what we were doing, and was interested in the effects we were trying to get.  He liked the images too.

Anyway – I posted this image on a social media site, and was heavily criticised by another photographer for putting artificial smoke (read fog) into the image.  At first I was accused of putting the ‘fog’ in during post production.  When I said that we used a smoke machine – I was told that it wasn’t natural, and we shouldn’t have done it.  I tried to explain that it wasn’t toxic – that there was no harm being done, and we were just having fun……  The same poster said and I quote “there’s no fun crawling around getting dirty, and you shouldn’t be using a smoke machine in a public place…..”

So that told me off then…..

I don’t think I approach photography as something trite, but I do enjoy trying new things.  I think the challenge for the commenter here is to find the balance between being stuffy and dour, and letting go to enjoy the hobby.

 

 

Honesty and Critique – Part 2

The other day, I photographed a very simple image of a Starfish on a beach local to me – what fascinated me about the image was the amount of detail I could see when I zoomed in on the shot, and I wasn’t even using a macro lens.  The Starfish itself wasn’t something I had ever taken a photo of before, and I was quite pleased with the depth of information the camera gave to me.

The comment passed to me, on line, read as follows:-   “This could have been taken on a mobile phone, and been just as good”.  I was a tad miffed…. as with the file I had, I could have printed it up to probably A1 size, which I certainly could not have done off a mobile, but then the commenter didn’t know that.

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Zoomed in detail…

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The thing is, he knew scant little about what I had used to get this shot:- and therein lies the problem …… sometimes……

The other night, I visited a camera club and we talked,  in detail, about images, and what sort of shots would do well in competitions.  Members had brought along sets of DPI’s for comment, and we worked through them for the whole evening.  The intent from me was to make people think, and talk about photographs, in a constructive way, but also to acknowledge that some were not ‘keepers’ in the competition arena.

it was quite hard to get people to talk initially – There is a reluctance from some people to comment on an image – even in a ‘safe’ environment.  I think they may feel awkward, or not qualified to pass an opinion.

I’d love it if camera clubs ran critique sessions more regularly – to help members see what the common faults are.  Examples might be as simple as the main subject being out of focus, or aircraft in the air with ‘frozen’ propellers.  Small parts of trees, or other organic / inorganic things impinging on the edges of images, lamp posts growing out of heads, blown out areas – or simply a confusing image, where the focus of attention is lost.

Photographers have an invested interest in their work, I appreciate that, and they can carry a lot of emotional baggage.  Images mean a lot to them, and time and effort has been taken to get what is now being put in front of club and judge.  I try to explain that this effort and emotion doesn’t always show in an image to an independent third party, who has no idea of the mud they trudged through, or the agonies and pain to get THAT shot.   The photographic idea can be as brilliant as can be – but if not executed properly will fail, no matter how much the photographer loves it.  In the end, it’s the photograph that is shown, with no history that the observer sees.

A gentleman was at great pains to explain to me exactly how he got his shot – but in the end the difficulty level doesn’t gain extra points.  As one judge said to me, some years ago – “difficulty level ? – that isn’t my problem”.  At the time I was quite put out, but with hindsight (which is a marvellous thing), he was absolutely correct.

In the end it goes back to what I said in my previous blog post – you need to trust the people you ask about images – but sometimes listen to what other people say too – listen, and don’t just ignore the comment – for all you know, at that moment, they might be right, even if you don’t realise it for a long time afterwards!


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Photographers Block, and Moths

I think I’ve inadvertently taken a break from my photography, and I think it’s done me good.

For 4 weeks, my daughter, her boyfriend, and the boyfriends parents (though the latter two were only here for a week) have been staying with us and there has been no photography time, apart from the images I captured of them, during their stay.

Similarly, whilst they’ve been here, I didn’t go to the camera club, and didn’t really interact much with any other photographers.  I found that whilst I missed their companionship, I didn’t miss taking photos.

At first I thought it was odd, but then I had so many other things to occupy me, that it made sense.  Since they left though, the urge to shoot hasn’t come back in any meaningful way.

I was left to wonder if this is a bad thing, and came to the conclusion that it’s not. I’ve had time to sit and plan what I’m going to do next, and actually the planning is making me more creative.  I’d been worrying (unnecessarily as it happens), about upcoming competitions, exhibitions and qualifications.  Worry stifles creativity.

I’ve taken myself back to basics, and this week dug out the moth trap, and caught some stunning insects, which I was able to shoot slowly, and with a bit more thought than usual.

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This is the Elephant Hawk moth, and I spent a long time looking for the right flower to put it on, and the right background to shoot it against.  I spent a couple of very happy hours with this, and other insects caught during the night.

So, it came as a bit of a surprise that when I checked my diary for July, it was rammed full of shoots – and even more of a surprise was that I was aching to get at it – and get some good images in the bag.  I’d been putting everything off till after the family had been and gone.  The ‘forced’ break did me the world of good.  I’d stopped thinking about up and coming competitions, and stopped worrying about where the next shot was coming from.

Hats off to those good folk who do the 365 projects, and take a photo every day for 12 months.  I tried it once, and after about 3 months gave up.  I was forcing images, and they slowly got worse and worse, as I made do with what I had.  Even cheating to get that image online for that day.  Never again……..

So, for the next week, moths…. I’ll put the trap out again in a day or two, and see what pops up.

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In the meantime, this one (above) is a Golden Y moth, and the shot below, is the Eyed Hawk Moth

Eyed Hawk Moth

It’s good to be back………….

The moral I think is to not worry if you don’t do something you love for a period of time – absence really can make the heart grow fonder.  It really doesn’t mean that you love it any the less.

The Cinnabar Moth Caterpillar

Cinnabar Moth Caterpillar

I’ve been out and about the last couple of days, searching out some good macro photography.  I was surprised to see so many of these Caterpillars on the ragwort.  They were literally hanging off the plants as we passed.

The caterpillars store the poison in the ragwort as they eat the leaves, which is passed on through to chrysalis and finally to butterfly. Predators such as birds soon learn not to eat them!  The bright colours of the insect are a warning.

The cinnabar moth itself, (Tyria jacobaeae) is brightly coloured, with crimson hindwings bordered with dusky black. Its dark grey forewings have a red streak towards the front margin and two red spots on the outer edges. The Caterpillar is covered in fine hairs, which can cause irritation if you pick them up.

The Damselfly

I’ve been out a few times so far this summer, in an attempt to capture the damselfly, and dragonfly – so far, I’ve not shot the dragons, but I have managed to obtain some great shots of the Damsel. The Red, Emerald and the Common Blue.

Their life cycle is simple, lay eggs, hatch into a nymph, emerge as an adult, mate and lay more eggs.

Link here to U Tube Video showing the complete life cycle in under 2 minutes

I’ll be out hunting again in the next week or two I’m sure…..