Has Photography been Trivialised?

I was reading an article the other day about the number of photographs that are taken each  year, and in addition the number of photographs with people in them, who don’t know that they are IN them.

A bit of research took me to the oldest known photograph with people in it.  It was taken in 1838 by Louis Daguerre, and it shows Boulevard du Temple, in Paris.

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The street is lined with lamps and trees, and in the middle of the frame is a tiny figure. A man getting his shoe shined, who likely had no idea his image was being captured at all. (In fact, Boulevard du Temple is and was a busy street. When Daguerre took the photo, there were carts and people streaming up and down the street and sidewalks, but only this one man shows up because the photograph had to be taken over the course of 10 minutes. Only the man standing still shows up after such a long exposure.)

A lot has changed since then – think of the numbers of photographs taken each day, and uploaded to Facebook, or shared with applications such as Snapchat. Facebook revealed in a white paper that its users have uploaded more than 250 billion photos, and are uploading 350 million new photos each day.  It’s a number that I just can’t get my head around.

Another way to think about it (and data here from another blog I read) – more photographs are uploaded every day, than existed in total 150 years ago – and that’s just the ones that are uploaded.  It doesn’t count all the ones stored on hard drives.

Images are becoming almost mundane – it’s all been done – and much like the UK debt, they can only increase with the passing of time, especially if you think of the numbers of mobile phones being used as cameras.

I do wonder, at what point will the number of images being taken, become so overwhelming that the medium of photography will become trivialised and border on meaningless.

Already it is getting harder and harder to find images that are unique, and photographically exciting.  The rise the in popularity of photography started to skyrocket around the year 2000 with the production of the ‘smart’ phone.  Photography is now moving forward so fast, that it’s likely to be tripping up over its own feet.

Has the magic disappeared?

I certainly think that some photographers have started to become lazy.  For example, take the photographing of UK wildlife – if you wanted photographs 20 years ago – you had to go out and look for it yourself.  You had to learn skills.  Tracking, hunting, understanding your subject.  Now, if you want a photo of, say, a red squirrel, you just look on line, and pay someone to set up a hide for you – supply the requisite nuts – and maybe even tell you what camera settings to use.

And of course it’s even easier with a digital camera – you can afford to make mistakes and use the wrong settings.  Just take a lot of images, and if it all goes wrong, pay again, and shoot again.   The comment “oh, it’s another red squirrel”, was not one  you would have heard even 10 years ago, but it is much more prevalent now.

For me, the act of being a photographer is much more than just recording my day to day life, and posting my lunch on Instagram.  It’s about the excercise of the process, rather than the result of the process.

A commitment to follow the path of art can be a thrilling one.  It’s not about the technology (though as I have said in the past, it can help), it’s about the making of the image, and I still find this to be the very best part.

I’ve also found over the last 18 months or so, that entering competitions has lost some of its flavour.  I see so many changes and developments in the different categories of the competitions, and just can’t keep up with all of them.  Not that I’m expected to I suppose.

On the other hand, I find the new technologies to be tremendously exciting – the advent of the mirrorless camera has provided me (and a good number of others) with a new found freedom.  They are lightweight, compact, and the images are massively superior to some of the older DSLR cameras out there – and when I say older, I don’t mean THAT much older either.  The ability to throw a small camera into a bag and walk out and shoot has been something I missed for a long time.

My first camera was a Sony Cybershot with 3.2 Million Pixels.  It used the (then fashionable) memory stick.  Easy to stick in my pocket – it got used a lot.  Then along came the bridge camera, and later my first DSLR  – the Canon 350D – still reasonably compact – but then the Canon 5D, and later still on to the Canon 1Series.  Each time they got bigger, heavier, and the lens followed suit.

The advent of mirrorless was only on the fringes of my perception for a long time.  Then suddenly Fuji, Sony, Olympus, and others,  produced a range of gear that, in the end I had to take notice of, and the purchase of the Fuji X-T2, and now X-T3, has encouraged (and allowed) me to shoot even more.

So, has photography been trivialised?  To some extent I would think so – but in the same breath, I think there is still room for the serious shooter, and I’m looking forward to browsing Instagram, Facebook, 500px and other places for my next batch of inspiration.

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A16 towards Tetford

 

Photographic Skills

For a while now, I’ve been thinking about what we, as photographers, need to be doing to enhance our skill-sets.

We all need to be able to work the controls on our cameras, even in the dark, it should be second nature to change an ISO, or an F stop, or a shutter speed without even having to think how to do it – and the only way to achieve this is to practice.

We also need to know how to ‘see’ a photograph before we even press the shutter button, and it’s these skills that can separate the terrific, from the merely competent.

With the advent of new digital cameras, it’s actually quite hard to make a really bad exposure.  Even harder these days to achieve an out of focus image.  Cameras are very clever these days, and have built in exposure settings, and shake reduction in either the camera body, or lens.

However, on top of all these things, I think that photographers need another set of skills outside that of just ‘taking’ an image.

1. Computer Literacy – software is the mainstay of the post image taking process.  We need to be able to email images, to resize them, to compress them, and send them to storage sites such as Dropbox.  To do that, we need to be able to type, and express ourselves in a clear and concise manner.

2. We need to be able to competently edit, and select images.  These days, we don’t go out and shoot a roll or two of film.  We go out and come back sometimes with hundreds, maybe thousands, of images.  We need to be able to select which are the best ones, and the ones that our ‘client’ will like, and not just ones that are our own personal favourites.  We need to be clear that the sharpest images, are not always the best ones compositionally, and conversely the best composed ones, won’t always be the sharpest – we need to be able to make that distinction and choose wisely.

3. We need to be aware of art history, and photographic history.  If you are asked who your favourite photographer is – it’s not just going to be the chap down the  road who takes amazing bird photographs – he might be the one impressing you at the moment, but who in history influences the images you take?    Art and photography are inching closer and closer together, and soon, you will have a hard job telling the difference.

Melbourne Photographer Bill Gekas photographs his daughter in the style of all the old Masters.  Take a look here

https://www.boredpanda.com/5-year-old-daughter-classic-paintings-bill-gekas/

Google for photographic images of ‘Girl with a Pearl Earring’ by Vermeer, and see what others are up to.

you need to understand art now, to understand photography.

4. The art of conversation – There are times when you need permission to shoot.  Either a person, or a place.  The need for access can sometimes be smoothed over by a polite conversation with owners, or guardians.  After photographers have trespassed on land, you can’t blame the owners for being angry at finding ‘yet another’ on their property.  Go in first, ask the questions – I think you’ll be surprised how forthcoming people will be, just for asking.

5. And lastly – filing and organisation – there is no point in having the worlds greatest image if you can’t find it on  your hard drive.  So, keep your drives tidy, split your images into sections or groups, back them up externally, and don’t rely on your website either – if your provider goes out of business – you could be left high and dry with no images.

If you use Lightroom, avail yourself of the catalogue and make sure your images are correctly sorted, tagged, and keyworded.  Sure, it might take you a week (or more) of hard work, if you’ve not started yet, but in the long run I think you’ll be pleased you did.

For example – I sold an image at a craft fair 5 years ago – it was mounted but not framed.  The client decided to have it reframed, and the picture framer damaged the print.  He contacted me, and asked if I could supply a new one, so that he didn’t have to tell his client; and because I’d got a good catalogue, I was able, within an hour, to send him a file, so he could get it printed again.  Job done.

GWPE

What do you do when someone steals your content?

As the number of websites and blogs grow, so does the demand for content.  Images are especially vulnerable, and are taken on a regular basis from websites, galleries, and blogs. What can you do?

I wrote about this months ago, following theft of one of my images, only discovered by accident, after another person had formally requested use of it.  Only this week, I have discovered images being used in two other locations – one a small site administered by an individual – on behalf of a community association.  This ended well, with not only the offer of advertising on the site, but a fee was agreed and paid within 48 hours of the image being discovered.

The other was on a much larger corporate site – where the site owner happily admitted to taking the image, thinking that it was copyright to the local authority, therefore it didn’t matter that the image was stolen.  Even after I explained that the image was not being used by the Authority in question, the site owner prevaricated and stated that they had no budget for images, so they had to take them where they could.  At the moment, I am still waiting for either the image to be removed, or a fee to be paid.

This site is a great resource (and from where I got these free red and blue buttons) LORELLE ON WORDPRESS I can only emphasise that it’s not a matter of ‘if’ your content gets used, it’s a matter of ‘when’.  So have a read, and when you get content stolen, you’ll have a better idea of how to deal with it.

The question is – do you want your images or content help someone else earn money without your permission ?  Think about it ?