‘Freedom Day’, Maybe….

Today is the same as yesterday and the day before – we’ve not quite unlocked fully, but apparently we will do next week.  Maybe I’ll be able to bin the hazmat suit finally, (it was too big for me anyway) and open another bottle of wine, but keep the mask… which actually makes it a bit harder to drink – never mind.

I wonder what my daughter will tell her kids about the last year or so.  Maybe she’ll make it sound like it was fun…..   It’s been a bit like being stuck in an ever repeating sitcom….. without the laughs, or maybe there were a few laughs….….. moving on……. 

I’m pretty sure I’ve spent a lot of time overeating during the pandemic, maybe a bit of over… well over everything really.

I have also apparently lost the concept of time. Can’t remember when I last wore a watch. It’s like we’ve been trapped in an online life, and infinite loop of despair, with no memory of a time before – and suddenly it looks like it’s going to end, and it’s actually a bit scary !

So, after all these months of booking speakers for the camera club, we find we are slowly struggling though the sludge to the end.  I’ve got another three I think before the end of July, and then we’re having a whole month off…. Wonder if I’ll miss it, and wonder what will happen next.  

At the moment though, I don’t fancy sitting in a small club room with folks breathing over each other..  I’m distrustful, I know……

At least the inspiration that has come from other photographers and artists has kept me going, especially in the last few weeks, and the last two speakers to come are both experimental, and artistic at the same time.  So that’s all good then.

Plus for the first time I really felt that I’ve had my fill and monies worth of the RPS – from being a far flung organisation somewhere on the edge of the galaxy, they came full circle and put on loads of events (albeit online) that were brilliant… fingers crossed all that will continue…. 

Of course there’s been the online zoom social meetings, (and a party, that was interesting) as well as the photo meetings….  and I’ve learned a lot of useful stuff…… like how to plait wheat, and make basic corn dollies….. yes really, and I’ve got two hung in the downstairs toilet to prove it.

Soon be time to go outside again, maskless, in the garden, and then the dogs will need a walk.  I tried to take my camera once on a dog walk – didn’t do very well – I spent more time watching them leap around like the demented animals that they are, than taking photographs, oh and avoiding other people who also seem to think they should walk their dogs too, who might just want to TALK to me.

This weekend though, we have guests… it’ll be a bit strange having other people in the house, overnight, who doesn’t normally live with us.  They take photos though, so it’ll be OK.

What’s the point of this?  Well I just thought I’d put it out there that I’m still experimenting, and playing – we adults, we don’t play enough do we?  In my talks, I advocate playtime, but for some grown ups it’s a hard thing to do.  I’ve a couple of friends who are avid gamers, but not photographers… I like playing with software and cameras, and pushing boundaries where I can.

Trouble is, we can get too fixated on the so called rules …. I keep saying, ‘there are no rules’, this isn’t a sport, it’s supposed to be fun (unless of course you’re doing it for a living).  I used to do it for a living…… and what I did, well, no editing was allowed…. 

I got fired once, from a company I didn’t work for – I was out there taking photographs of a building for a business (who will remain nameless).. security (who hadn’t been told I’d be there), thought I was a member of staff sneaking out early…. I got hauled into the office and was actually officially reprimanded, till someone from HR came along and realised I wasn’t actually an employee.  This was a good rule…. ‘Keep your staff in line’.  The other rule they had was that all staff had to wear shoes, not boots, not even in winter – I digress.

I’ve actually forgotten the purpose of this post now… so I reckon I’ll stop…… Here’s a photo for good measure that I took on our first club outing in 18 months…… I might have slipped – waved the camera round a bit, or maybe it was the gin….. who knows……..

Cleethorpes Country Park

Keep shooting, and taking the pills as necessary – normal service will be resumed as soon as possible.

The Covid Zoom Inspiration

Sometime during March, my camera club closed down because of Covid19 – there was no big announcement, just a quiet closure, and a sudden end to the programme of events that were scheduled.

One member acquired a Zoom account for the benefit of maybe half a dozen people, so we could keep in touch.  It soon expanded though to include the whole of the club, and since then has gone from strength to strength.

What this blog post is about, is the results of that closure, and what happened afterwards.

We had a couple of meetings to see how it would go, and, when it became apparent that most of the membership were keen, it fell to a group of three to work out the programme that would ensue.  All the competitions had stopped, and there had been no club committee meetings, so we plodded on.

What happened was one of the best programmes of speakers I have ever had the privilege to watch – ranging from people with little experience, to solid professionals with years of speaking experience, based around the world.

The common denominator was the software called Zoom, which seemed to float to the top at the start of the Covid lockdown.  

I certainly had never heard of it before, and I gather a lot more people were in exactly the same situation.  At the start, there seemed to be glitches, and some security issues, but the company seemed to get on top of that pretty quickly, and ironed out the problems.  Pretty soon I saw that many businesses were using it as a conferencing tool, including our own government.

There is always (for some) a fear of new technology, but under these trying circumstances, I have been pleased to see people I would have considered to be wary of this sort of meeting – happily joining in after a training session.  Even some who said they were sure they wouldn’t like it, have been converted.  

Of course – it’s not for everyone, and if it’s not a place you would feel comfortable, then that is fine. (But you’re missing such a lot!)

However – the results of the talks, coming as quickly as they have (and still do) has been inspirational.  

Not just the club, but the Royal Photographic Society too, has put on a series of events and talks that simply could not be missed…. So what is the result so far….

Well, a cornucopia of ideas from an eclectic mix of photographers and artists.  

We started with Art Nude, and nudes in the landscape, reflecting professionalism, and images you would be happy to show your aged mother.  Not a genre I was planning on trying any time soon, but the photographs and the expertise was unmistakable.

From here we moved to stories, told by different images, and a whole talk and photographs based  entirely on a work of fiction.  Some stunning work by a master of wildlife photography, who showed us how he was able to attract birds into his garden, and gave us a tour round with excellent photography.

Based on this talk, the club ran a competition based on ‘birds’ – a fun competition with a very loose theme – images ranged from model kingfishers, to easter chicks in a nest of creme eggs.

So what have I learned?

Well, images can be produced that are interpretations, and not records of events, the subject comes first, and the images second.  Planning is key, and if you are creating your own photographs from a work of fiction, then the image must be moved by the story itself.

The differences in attitude and experience of the speakers shows me that creativity is not necessarily something we can just learn.  It can require a complete change of mindset, and is something that needs constant practice.

There will be many failures, but these are essential, as are the risks.  

For example – Edward Weston produced a startling black and white image of a green pepper – called ‘Pepper Number 30’.  What I hadn’t really thought about, was that there must have been at least 29 earlier versions, and who knows how many afterwards.  The point is that Weston thought that number 30 was THE image, and the one he was probably most satisfied with.

Photographers must learn (I feel it should be compulsory) to cultivate a willingness to experiment, and think about the question ‘what if I did this?’..

I also learned that watching these excellent people present their work – that what we saw was a carefully cultivated, curated collection of images – and not just a thrown together selection of work.  They all saw that there was no ‘one way’ of doing things – there was no wrong way, there was just a multitude of different ways.  Some would just work better than others.

The images were not ‘scripted’ – they were born out of imagination, inspiration, and creativity.  Even the loveliest landscapes that I saw of Mongolia, were thought through pieces, with the photographer even showing us one or two of his rejects, and explaining the thought process.

Each specialist image maker held true to their passions and convictions, and to a large extent didn’t worry too much about how others reacted to them.  There is therefore a true correlation between creation and passion.

The other thing they do is make time for their art.  It’s not created in between sandwiches on a Wednesday afternoon.  They have spent time and effort looking at other people’s work, and at art.  They have attended exhibitions, judged competitions, made work for sale, and importantly, made work for themselves.

So looking back at what I have seen so far – travel, people, factual, experimental, wildlife, landscape, nudes and totally different uses of camera and drones – my mind is racing with ideas.

I look at the programme to come, and see more projects, the Vikings, more wildlife, sports, astrophotography, underwater, street, work with textures, and composite photography.

Lots of things I’ve never tried, not thought about particularly either, but we all need to open our eyes and minds to different mindsets.

Lockdown has been an absolute pain in a lot of ways – there’s been a lot of agony and grief, but there has also been an abundance of creative imagery – some fantastically beautiful and poignant work, reflecting how photographers have responded to being left to their own devices.

Is there still going to be a place for the ‘traditional’ camera club after this?  I’d say yes, because you can’t beat the personal interactions that you get when you meet up.  Will they be different? I hope so – I hope that more photographers will be willing to experiment, and break the rules.

Is there going to be a place for Zoom, or equivalent? – again, I think yes.  How else can you have a presenter from the other side of the world, or even Europe?  Speakers from the deep south of the UK, or the north of Scotland.  

One thing I do hope, is that clubs continue to have these brilliant speakers – so that we can see the amazing work that might be totally different to our own……

I look forward to hearing your comments, and seeing you let yourselves go….

Webinars !!!

At least three months ago (probably longer), I did a talk for the RPS East Midlands Group on my completion of the Associateship Distinction.  I did this in conjunction with a few other folks, who talked about Licentiate, and Fellowship.  We did it in Grimsby Fishing Heritage Centre, and it went very well..  I do hope the RPS can run more events locally like this one…

Fast forward a little, and two of us (members of the Facebook, She Clicks group) were asked to repeat the talk as a Webinar.

Must confess to having got a bit excited about this, as did my co-presenter Lynn, who said she had to be bullied a bit to join in (not sure I had to bully much though!) ….. anyway………

Time passes – we start to put a talk together, and decide jointly that for most of it we would hide behind a slide show – not realising THEN, that even with the slide show running, we would still be in frame – albeit a small on in the corner of the screen.

This was revealed to us, during the rehearsal that we had with organiser Angela Nicholson, where we also had to figure out the software that was needed.

The Webinar was scheduled for December 4th, and I was away on holiday the week before – not getting back into the UK till late on the 2nd.  Spent the 3rd updating what we were going to say, and then met early on the 4th to rehearse again and run through the talk – trying to remember not to talk over each other, and more importantly not to wave our arms around whilst speaking (must confess to being a bit of an arm waver…..)

What was disconcerting I found, was that although we could see Angela – we knew that no-one else could, so we sat looking into a camera, and apparently talked to ourselves for just about an hour…..  it was a really odd feeling – In the back of my mind, I knew there were people there watching – but I’m used to seeing my ‘audience’, and hearing their mumbles…….

To cut a long story short – it seemed to go well – the feedback was positive, and although there are a few things I’d have changed (like probably smile a bit more – I think I might have looked a bit glum sometimes),  and try not to be so hesitant over words – ie, practice more….   There were lots of questions at the end, and more on the Facebook page afterwards – which was great.

We were even told that we looked professional……

Having done it once, I think I’d be happy to do it again, especially with the knowledge that I have now.  We all have to do things for a first time, and it can be nerve wracking…. I remember the first time I had to stand up and talk to an audience.  It was a good few years ago, but I had had the benefit of a public speaking course.  What I remembered was one thing……….

“Always remember that the folks down there looking at you, are probably thinking that they are glad it’s you, and not them…. so just look confident – get on with it, and they’ll appreciate everything you say”

Plus, the benefit is they can’t answer you back on a Webinar – well not till you’ve finished anyway….

So yes, I’d do it again, and having chatted to Lynn afterwards, I think she would too……

Here’s my ARPS Fine Art Panel that got me through, first time, and with flying colours….

ARPS Version 3

 

I said I’d never mention Brexit in a post!

I’ve been in a bit of a mood lately.  I’ve also been in a bit of a creative hiatus.

The only reasons I could think of was that I was just going through a phase, and also that there’s so much bad news about lately.  We are plugged into 24 hour news bulletins – it’s there all the time – TV, Radio, Internet, magazines, newspapers etc.  I’m bombarded with news everywhere I look – it’s practically inescapable – and this issue of Brexit in the UK is driving many of us to the brink of despair.

I’m pretty sure then that all this bad news can deflate our sensibilities unless we do something positive to combat it.

My ‘recovery’ began a week or two ago, when I started to look at more of the work that is appearing on a Facebook Group called ‘She Clicks’,  (www.sheclicks.net) – a group for female photographers.  Then I attended a Royal Photographic Society Event in Nottingham, where the speaker was Magnum Photographer Ian Berry.

I conclude that a further aid to my ‘recovery’ is to surround myself with excellence.

I must look at excellent photography, listen to good music, and watch artistic and creative films (for which Netflix has an abundance if you look carefully) – for example, the other day I watched an old black and white film called ‘Laura’.  I knew the music, but not the story – and it reminded me of family times in my younger days where we would listen to music together.

Moods change, and with it, creativity changes too.  I’m currently looking through some of my photography books, reading about editing, and discovering again things I want to try. the mojo (I’m pleased to say) is slowly coming back.

I actually want to get out now, and take some images, make some art….. it’s been a long time coming, but at least I now have an idea for the cure……

Trees Autumn 3

Autumn is here – let’s go catch some colour……

My Journey to ARPS – and with a Fuji X-T2 Camera….

For those of you who have been fortunate enough to NOT be around when I submitted images to the Royal Photographic Society, in an attempt to achieve my Associateship – Congratulations…. but it all ends here…..

After months of work, agony, and me constantly wittering on to all my ‘friends’, I want to say thank you to all of them.  For lingering and looking, for the critique, for the support, and to certain individuals who not only came to Nottingham and London for RPS advisory days, but who also came to Bath with me TWICE…. once to drop the portfolio off (thanks Vicky), and once for the final Assessment (thank you Mike and George)…

Many thanks also to the Lincolnshire Image Makers Group, who were so supportive, and nagged me constantly to get the job done.

All the images can be found on my website (links below), and were based on multiple exposure photography – with some having as many as 40 pictures to make up one shot.

When I started to think about what I’d done, and looked back on work I had produced over the last five years or so, I realised that I had been making multi exposure images for all of that time.  It was just that I had been going about it in a different way.  The images were made by me moving forward, or backwards in between shots, and I had also been combining them in camera – as the Canon DX allowed up to 9 shots at a time.  Sometimes I’d combined them in photoshop, but not in the way I do now.

So what I feel, is that I’ve developed something over a long period of time – but it was after I saw some images online by another photographer that my interest was piqued even more.

Between November of last year, and April of 2018, I developed, refined and changed my technique, and before I knew it, I was producing images that I was really happy with.

I chatted to the RPS at the start of the summer, and they advised that I would be presenting images in their ‘fine art’ category – and that they liked the work and wanted to see more.

You need 15 images for Associateship, together with a statement of intent – and for an advisory day, they recommend that you bring your basic 15 with 5 others as ‘spares’.   So in early July, I set off for London with 20 printed, mounted images – the RPS recommended I present the panel at an assessment day with no changes – they liked the small image, the style, and the choice of subjects.

My friend Vicky and I went to Bath towards the end of August, and dropped the panel off for Assessment in October.

Then in mid-October myself and two friends headed for Bath – where the panel was passed, and retained by the RPS as an example of what is required in an Associateship panel.  Drunk on success, and champagne we returned to Lincolnshire and I was overwhelmed.

So, the images themselves.  They are mostly of Lincolnshire, and the coast, and the structures – there are trees, and fountains, and landscape.  All together in the same multi-exposure style.

This isn’t one of my final panel, but a series of images I took on the way home from Bath after the assessment day.  We stopped at Westonbirt Arboretum, and this comprises 15 images shot of the fantastic Autumn colour there.

You can find my full panel, and statement of intent by CLICKING THIS LINK

The Slideshow is available by CLICKING HERE

All the images were taken with a Fuji X-T2 camera, and their excellent 16-55 2.8 lens.  The large format RAW files were perfect for this kind of work, and allowed me to crop in, to make the images exactly how I wanted them to be.  The lightweight camera meant that I had it with me most of the time, and so was able to get the shots I wanted.  I can also recommend their 23mm f2 lens, for its discrete size and superb image quality.  I don’t think I would have achieved this distinction without this camera….  Thanks Fuji…..