I tend to try and finish what I start – though at my age now, a long term project (a very LONG one) may never get done.
I was reading about photographer David Hurn, who started a 10 year project about the village he lived in. He was inspired by a John Updike quote: “giving the mundane its beautiful due”
This seems a good project for other people too, though mundane could run things down a bit. Uninteresting could become interesting only when you start to do research.
Like my own village – there’s nothing here till I started to look. A pre-conquest minster church – now dilapidated, with all the roof lead stolen last year. Inside the burial of Sir John Skipwith, who died in 1415.
Investigation starts with a little knowledge, and involvement. It’s up to us to put the two together.
After that, it’s about where you stand, and when you press the shutter.
St Bartholomew’s Church at night – lit from inside with floodlights. There’s no electricity, no water – only the odd owl and a few bats in the belfry. Literally……… 🙂
I’ve not done a long photowalk for ages, and today seemed to be the day for it.
I cycle a lot, and earlier in the week, a friend and I tried to get along the old Louth to Grimsby rail line – closed by Beecham in the 1960’s – it started OK and we got a fair way down the track, but didn’t make it to the far end as the undergrowth looked too deep.
Today, I had this really good idea to approach it from the other end, and on foot – so armed with camera, and trusty dog companion – we set off.
It started OK
The track was a bit overgrown, but manageable, and dog was having a good time – lots of new stuff to sniff, and rabbits to look at – we even saw some roe deer.
Moving on towards the next village though, saw the track get more and more overgrown – the nettles got taller, and the brambles more treacherous with their trip hazards. Dog started to get a bit miffed, and complained about treading on spiky things. He was only mollified by getting a few blackberries to chomp on as we went along.
The grass got deeper and deeper, and I decided that no person had walked that way in years…. it was pretty obvious why….. It was a wonderful wildlife corridor though, with lots of butterflies. (Should have had a macro lens with me – hey ho).
Anyway, after about 45 minutes of trudging, we got to a point where we just couldn’t go any further – the trees / bushes / nettles etc were so close together it was just impassable, unless you were a rabbit.
After a brief rest in a field – we set off back the way we had come – dog happier now we were going back.
We stopped to have a drink, and watched some harvesting going on, and then turned our noses to home.
Much easier walking now – till we got to a stile that is a set of steps over a wall – Dog refused… so we had to go back – another return trip.
Anyway – job done – walk complete – both of us exhausted. Hard walking – but I was determined to get the camera out for a bout of fresh air……. Some mobile phone pics got taken too, as I needed the rucksack to carry everything the dog wanted to bring…..
It’s a bit frustrating this photo walk business…….
I’ve been reading about photography ideas – here’s one I like the sounds of, and intend to have a go with – I’ll publish the results in due course, and if I don’t, I’m pretty sure someone will remind me.
Why don’t you have a go at this too……
Go for a walk WITHOUT your camera. Go back and make one photo of something you saw on the walk.
Use negative space with ‘wild and reckless abandonment’ – make the main subject a very small part of the composition.
Walk an area you normally drive through. Bring your camera, and make one photo of something you’ve not noticed before.
Make a scenic photograph. Eliminate one element and retake. Repeat till there’s nothing left to take – see how many steps you can spread it out for.
So that’s one shot each for the first three, and a number of shots for the last……
Remember they don’t have to be masterpieces of artwork – just thoughtful things.
Now – there’s a bit of woodland I drive past all the time………..
Being insecure is good for the photographic process. Usually when you are out and about – you take a picture, and then review it on the back of the camera. You might then move about a bit, and take another. You might do this a few times, till what you see on the back of the camera accords with your own internal ideas.
You can’t do that when you shoot film of course. You don’t have the benefit of seeing the ‘result’ straight away, and so there’s that element of insecurity because you are not totally sure what you have got ‘in the can’. You are also limited by the number of pictures you can take. 36 on a roll, or 24, or maybe as few as 8 or 10.
What do we do? Digitallly, we take lots of images – but which ones do you like the best when you get home, and look at them all together?
I often find that the images I like the best are usually not the ones I thought I was taking at the outset – things move on, even as I shoot, and it might be the 10th image that I take that is the one that I use. The benefit of the digital camera is that you can check as you go – but is this always good for you?
Sometimes I wonder if by virtue of being able to look at the back of the camera all the time, I am just confirming that what I saw was good, or am I merely looking at a preview of my ultimate expectation.
It might be both – because looking at the back of the camera all the time can disrupt the shooting process – causing us to miss things….
When I was working as an agency photographer – most times I didn’t have the opportunity to look and check what was happening on the back of the camera – I just had to keep going, and trust that the settings were the right ones. I learned to adjust as I went, working on the principle that it had to be right first time, as there were no second opportunities.
That was the insecurity which was hanging over my shoulder all the time – it made me work harder, and faster. If I checked at all, it was briefly.
The best lesson I learned was to reset my camera to a default, at the end of every single shoot. So the camera sat at ISO 400, f5.6, RAW, and Aperture Priority. That would get me most times an OK shot – it also meant that if I’d previously been shooting at ISO 12,000 – I wouldn’t be doing that the next day, when the sun came out again.
It happens to us all, we make mistakes, but resetting the camera can mitigate things.
Why not try this – put some black tape over the screen – and go out and shoot – make yourself a little more insecure – and see what happens….